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【登録タグ FELT Increase Beat Rebirth Story 4 S 六十年目の東方裁判 ~ Fate of Sixty Years 曲 美歌】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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修論の素材テキスト置き場 Lei Rouanetの変更点 ブラジルにおいて、民間から民間へのお金の流れを促す政策(Leis de Incentivo Fiscal)があることは、ブラジルの文化政策の方向性を決定づけている 一番縛りの少ないLei Rouanetは中心的な役割を担っている Wiki_BR Marketing_cultural http //pt.wikipedia.org/wiki/Marketing_cultural O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. http //www.cultura.gov.br/site/wp-content/uploads/2009/02/empresas-incentivadoras-e-respectivos-valores-incentivados-em-2008.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/incentivadores-por-ano-e-tipo-de-pessoa.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-projetos-com-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/2007/11/21/estatisticas/ Últimos comentários 13 comentários para "Estatísticas" RSS dos comentários 20 de novembro de 2009 às 16 55WILLIAM MORAES CORREA (OS FOLIOES- SAO LUIS- MA) Incentivar projetos que não consumam grandes valores é fundamental para o crecimento cultural de nosso país. Existem projetos maravilhosos que eriam realziados (e muito bem) com poucos recursos. A legislação precisa beneficiar iniciativas assim. 20 de novembro de 2009 às 10 43claudio ferreira a cultura ele tem qua ser mais aprofundada e mito importante o trabalho que as instituiçao,as ong e etc faz alem de leva o onhecimento o trabalho de pesquisa lavar tambem a etica familia eo respeito ao prossimo penser nisso vcs ai 08 de setembro de 2009 às 20 05Bruno Resende Ramos Que a Lei Rouanet continue para que pequenos projetos de cunho sócio-cultural alcancem melhores tempos. Aos contemplados e as empresas que oportunizam essa resposta social os nossos agradecimentos. 02 de setembro de 2009 às 11 44André Luiz Salvalaggio Olá, gostaria de saber quando abrirá um novo edital para a lei Rouanet? Obrigado. RESPOSTA, por Contate@Cultura Não há editais para a Lei Rouanet. O MinC recebe propostas durante todo o ano. Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. Mais informações, Siconv 0800-9782340. SalicWeb informe.sefic@cultura.gov.br 26 de junho de 2009 às 14 54Wedson Simões Dúvida Qualquer pessoa pode se cadastrar no SALICWEB ou deve ser o proponente do projeto? RESPOSTA, por Contate@Cultura Não há porque se cadastrar se não for apresentar um projeto. 14 de junho de 2009 às 18 30Alexandre Gomes Boa noite. Desejo saber mais sob apresentação de projetos para utilização dos recursos daLei Rouanet. Sem mais, agradeço e aguardo. RESPOSTA, por Contate@Cultura Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 05 de junho de 2009 às 12 15cleverson Olá, gostaria de saber se meu projeto se encaixa na Lei Rouanet de incentivo a cultura?? meu projeto se trata da gravação de um CD com músicas inéditas. Empresas que entram como patrocinadoras conseguem se enquadrar na Lei Rouanet? Aguardo resposta. RESPOSTA, por Contate@Cultura Gravação de CD pode ser contemplado pela Lei Rouanet, mas confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 03 de maio de 2009 às 21 54vania maria franceschi vieira Qual a estatística de projetos aprovados por região no Brasil nos últimos 5 anos? RESPOSTA, por Contate@Cultura Nesta página é possível encontrar todos os dados que temos publicado. Boa pesquisa!! 28 de abril de 2009 às 14 46Luiz Fernando Rodrigues Solicito incluir nas estatísticas um comparativo da renúncia fiscal aprovada versus a utilizada no período de1999 - 2009. 03 de abril de 2009 às 20 38Fabiano Pessanha - Geração Futuro Prezados, Parabens pela iniciativa de disponibilizar dados relevantes de nosso mercado cultural. São de grande valia e interesse publico! Sugiro a disponibilização de demembramento dos dados por obra e produtora, no caso de Certificado Audiovisual.
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Regardless of the type of customers an online business is targeting, no website would last without Search Engine Optimization (SEO). Failing to incorporate an appropriate SEO strategy is analogous to organizing a pop festival without arranging any publicity! Did you know that technological advances have made it straightforward to create websites? Whether for personal use or as revenue-making resources, developing a web platform can be achieved with minimal coding expertise – the main requirements are access to downloadable templates and a creative spark! The other aspect of digital communication worth mentioning is that of all the subject matter covered by new launches, the most lucrative is online dating. There are thousands of these platforms, in both desktop and app format, generating billions of dollars in membership fees per annum. Why SEO Is So Important For Online Dating Businesses There are all sorts of generic dating services available, but one way of illustrating how SEO can be best applied would be to focus on niche areas. So let’s take the example of a virtual matching platform aimed at single mothers. If you are going to attract people who are seeking relationships with hot single moms on a website, you’ll need to research the typical words your customers would use to find what you have to offer. Various available tools will provide suggestions based on most-searched-for words or phrases relating to this subject. When you are coding your pages, you’ll need to include more possible examples related to finding mature single moms as well as young men looking for dates with older women. SEO defines the relationship between your website and customer base. By seeding your content with appropriate keywords and phrases for single mom dating, you will boost your web traffic, both in terms of the quality of site visits and the frequency. This point is crucial, as it differentiates between the motivations of your visitors. Web traffic comes in so many formats, but the key question is defining who has dropped by out of idle curiosity and is liable to hop off again after a few moments, and who is here to seek a single mom! The latter are the ones who are most likely to keep returning and to spread the word of their satisfaction through their social media. This practice of providing worthwhile traffic, both in quantity and quality, is achieved by gaining a high ranking in the results that are returned when people pop those all-important keywords into their favorite search engine. This will increase your presence within the industry. When the industry under question is dating - one of the most popular services that currently exist on the Internet – it becomes even more necessary to achieve this potent visibility. The higher up that table of results, the more kudos. Where web traffic is concerned, this will lead to even more opportunities to attract worthwhile hits, customers who might be persuaded to invest in your brand and subscribe to your product. Define Your Target Audience First Considering the example above, we now know that before you even get as far as publishing your draft website, you must ensure your SEO strategy has taken into account all the keywords that anyone looking for single mothers or milfs might use. Understanding your audience is imperative. You’ll also need to appreciate the process of seeding your keywords across your web pages and distributing them in titles, URLs, anchors, and the alt tags accompanying your images. Optimize Your Dating Site Next For your target audience, this is about so much more than coming across a website they might wish to bookmark. They will find themselves both encouraged and inspired to become part of the community of singles looking for a partner by subscribing to one of your membership plans, whether that be weekly, monthly, or much longer-term. You will sew the seeds of customer loyalty. On their part, these clients will return to your web pages regularly, committing to paying fees and spreading the word around their social circle. Here are some SEO tips to keep in mind when targeting a site to satisfy your audience Key elements Apply SEO to your dating site URL, your titles, and the descriptions within your pages. Customer satisfaction - Take steps to ensure your site or app loads swiftly. A slow rendering in any browser will cause impatient customers to move on. Mobile-friendly SEO Pay heed that more people will be accessing your dating site via smartphones or tablets than PCs. Apply the appropriate SEO for mobile optimization. Continually refresh your content Search engines abhor static pages. For your dating website to remain competitive, ensure you add new articles, visual content and functions and overhaul the layout and design periodically. Registration Finally, make sure you register your site with webmaster tools. Google and Bing won’t know you’re there until you let them know. Use SEO tools to analyze and optimize the process Tools will help you understand the competitive dating market you are operating in, and a solid SEO strategy will give you an edge over sites offering similar content but who have spent less time fine-tuning their service. Overhauling content Ensure you continually refresh your articles, and layout is essential. As well as giving your customers the impression that your site is always evolving, inviting them to keep coming back for fresh content if your SEO is similarly altering, you’ll ensure positive search engine rankings. In conclusion We have examined the crucial role SEO plays in virtual dating. Although SEO itself is an evolving dynamic, the core aspects remain fairly consistent. Your keywords should not only reflect the essence of your venture, whether that’s mature dating or whatever, but it should demonstrate you are keeping abreast of the type of information your potential customers might be looking for. Maintaining a comprehensive SEO strategy can become useful for allowing you to keep focused on giving the best service possible.
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Enterprise File Synchronization and Sharing Market Size, Segments Of The Tech World and Revenue, Recent Trends, Size, CAGR, Industry Size Growth High State Research By 2027 Market Scenario The Enterprise File Synchronization and Sharing Market Size is growing rapidly. Market growth attributes to the rising adoption of enterprise adopt synchronization sharing (EFSS) technologies in businesses. Besides, the increasing need to protect data from consumer-based apps to store access and merge corporate data outside of the IT department foster market growth. Moreover, increasing numbers of businesses worldwide, escalate the growth of the market. According to Market Research Future (MRFR), the global enterprise file synchronization sharing market is expected to garner a valuation of around USD 11 BN by 2023, growing at approximately 28% CAGR throughout the forecast period (2017 to 2023). Increasing digitalization in file sharing solutions and business processes boost the growth of the market. Rising BYOD trends to improve work efficiency and reduce the company s operational expenses impact the market growth positively. COVID-19 Analysis The business impact of SARS-CoV-2 has been felt across diverse sections of the information technology industry, albeit at different levels. Companies in the technology sector that supply services for verticals like travel, retail, hospitality, and entertainment have noted a dramatic decrease in sales, while the firms that provide services related to remote worker solutions have observed the opposite. Enterprise File Synchronization Sharing Market ’s fate post pandemic has been relatively less grim compared to Education Services (ES) and Professional Services (PS) that are mostly dependent on components that are generally on-site. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6294 Competitive Outlook Players leading the enterprise file synchronization sharing market include Microsoft Corporation (US), Dropbox (US), Citrix Systems (US), IBM Aspera (US), BlackBerry (Canada), VMware Inc. (US), OpenText (Canada), Google Inc. (US), Thru. Inc. (US), Egnyte (US), Syncplicity (US), Acronis International (Switzerland), SkySync (US), j2 Global (US), HighQ Solutions (UK), ownCloud (Germany), Nextcloud (Germany), CodeLathe (FileCloud) (US), Qnext Corp. (FileFlex) (Canada), Intralinks (US), XMedius Solutions (Canada), Northbridge Secure Systems (Australia), Inspire-Tech (Singapore/US), Wanpath LLC (US), CTERA Networks (Israel/US), and Accellion (US), among others. Segmentation By Component Standalone EFSS Solution, Integrated EFSS Solution, and others. By Deployment Type On-Cloud and On-Premises. By Organization Size Large Enterprises and small medium-sized enterprises (SMEs). By Vertical BFSI, Software Technology, Government Public Sector, Healthcare, Legal, Education, Retail, Media Entertainment, and others. By Regions Europe, North America, APAC, and Rest of the World. Regional Analysis Europe dominates the global enterprise file synchronization sharing market. The leading market share attributes to the continuous adoption of the latest technological advancements, such as integrating cloud and mobile technologies within traditional enterprise file sharing and synchronization solutions. Also, early adoption and constant innovation by the organizations substantiate the growth of the regional market. The European enterprise file synchronization sharing market is projected to retain its dominance throughout the estimated period. North America stands second in the global enterprise file synchronization sharing market. The market is driven by the presence of several notable players and well-equipped infrastructure that allows development and early adoption of technologies. The US and Canada are the key growth contributors to the regional market. Additionally, various dynamic diversified multinational organizations foster the growth of the regional market. The North American enterprise file synchronization sharing market is expected to create a substantial revenue pocket during the forecast period. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/enterprise-file-synchronization-sharing-market-6294 List of Tables Table1 Global Enterprise File Synchronization Sharing Market, By Region, 2020–2027 Table2 North America Enterprise File Synchronization Sharing Market, By Country, 2020–2027 Table3 Europe Enterprise File Synchronization Sharing Market, By Country, 2020–2027 Continued… List of Figures FIGURE 1 Global Enterprise File Synchronization Sharing Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis Of Global Enterprise File Synchronization Sharing Market Continued… Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. 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【登録タグ Alstroemeria Records L Trois Noir ラストリモート 曲 野宮あゆみ】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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下位ページ Content Drawables, Views, And Layouts Viewのライフサイクル リソースファイルで Layouts と Drawables を定義するリソース Layout を使うレイアウト定義の一例 レイアウトリソースの使用方法 Drawables User Interface Making a user interface toolkit that can adapt to multiple products is hard, but it is even harder in the Garmin ecosystem. The mechanical designs of these products may be very different depending on the use case the product is designed for. As a result, the user interfaces of Garmin devices also vary by product some have physical buttons, some have coordinate touch screens, and some provide up, down, and action buttons. Rather than design a user interface toolkit that adapts to what device the UI is running on, the Connect IQ SDK makes it easier to port the user interface to different products. At the resource compiler level, we include a way to define a page in XML as well as specify page definitions per product. These tools make it easy to support multiple devices with a single app. Drawables, Views, And Layouts Watch faces と apps ではページスタック(page stack)をもっている。ヴュー(View)はページを表すオブジェクトである。ヴューはページスタックにプッシュしたちポップされたりする。まさにスタック。 ヴューはtransitionを使って、ページスタック上で別のヴューと入れ替えたりもできる。 View が画面。画面の構成を定義するのが Layout。Layout の要素として配置されるのが Drawables 、といったところか? 本家のページより抜粋 Viewのライフサイクル widgets と watch-apps では onStart() ← これはAppBase、つまりプログラム本体の関数WatchUi.Viewが取り込まれる前に実行される onLayout()リソースの読み込み。表示よりも前に実行される。 onShow()ヴューがForegroundに来た時に実行される。 onUpdate()ここで描画を実行。drawはここで使う。 onShow()の後、勝手に実行 WatchUI.requestUpdate()を実行しても、onUpdate()が実行される。 onHide() watchfaces と datafields では onLayout() onShow() onUpdate() class View { // ヴューのエントリポイントがonLayout(). // リソースが読み込まれ、レイアウトがセットされる前に呼ばれている。 // @param [Graphics.Dc] dc The drawing context // @return [Boolean] true if handled, false otherwise function onLayout( dc ); // When the View is brought into the foreground, onShow() is called. // @return [Boolean] true if handled, false otherwise function onShow(); // When a View is active, onUpdate() is used to update dynamic content. // This function is called when the View is brought to the foreground. // For widgets and watch-apps it is also called when WatchUi.requestUpdate() // is called. For watchfaces it is called once a minute and for datafields // it is called once a second. If a class that extends View does not // implement this function then any Drawables contained in the View will // automatically be drawn. // @param [Graphics.Dc] dc The drawing context // @return [Boolean] true if handled, false otherwise function onUpdate( dc ); // Before the View is removed from the foreground, onHide() is called. function onHide(); // Use setLayout() to set the layout for the View. If the extending class // does not override onUpdate(), then all Drawables contained in layout // will automatically be drawn by the View. // @param [Array] layout An array of Drawables function setLayout(layout); } 各ヴューはレイアウト(layout)を持っている。 レイアウトとはDrawablesとよばれる描画オブジェクトの集まりで、各Drawableはビューに置かれる。 Drawableはdrawメソッドを通じて、デバイスコンテキストへ描画される。 どんなDrawableを拡張したオブジェクトも描画オブジェクトで、プロパティはpublicになる。 Monkey C は、基本的はdrawablesとしてレイアウトにリソースとしてText, Bitmapを配置できる。 リソースファイルで Layouts と Drawables を定義する リソース Layout と Drawable は「リソース」ファイルとして定義する(することができる、が正しいか)。これにより Monkey C を扱わずとも、特定のデバイス向けのレイアウトを作成することができる。 加えて DrawableList オブジェクトを can also be defined, which are Drawable objects that can draw a number of graphics primitives. Layout を使う XML上でレイアウトを定義する場合、描画オブジェクトをレイアウトタグの中に並べればよい。リストに並べられた描画オブジェクトはMonkey Cの描画オブジェクトに変換され、次々と描画される。そのため、2つ以上の描画オブジェクトがあれば、1つ目を描画した上から2つ目が描画されることになる。 レイアウト定義の一例 resources layout id="MainLayout" drawable id="MainBackground" / label text="Page Heading" x="10" y="5" font="Gfx.FONT_LARGE" color="Gfx.COLOR_BLACK" / label text="Your information goes here." x="10" y="25" font="Gfx.FONT_MEDIUM" color="Gfx.COLOR_DK_GREY" / /layout /resources レイアウトリソースの使用方法 onLayout(dc)内で、setLayout()で登録 onUpdate(dc)内でView.onUpdate(dc)を呼び出す。ViewのonUpdate(dc)を呼び出さないとほっとかれる。 class MainView { function onLayout( dc ) { setLayout( Rez.Layouts.MainLayout( dc ) ); // レイアウトを読み込み } function onUpdate( dc ) { // Call parent’s onUpdate(dc) to redraw the layout View.onUpdate( dc ); // この下に更にアップデートする必要のあるものを記述 } } Layout タグでサポートされる属性 属性 定義 値 初期値 補足 id 紐付けるためのID番号This is used to reference the layout in the Rez module 半角文字で始まる値 NA 必須 Drawables (ビットマップファイル、drawable XML リソース) を drawable タグ を使って、レイアウトの中に含めることができる。 属性 定義 値 初期値 補足 id drawable の id The ID provided here references the drawable defined in the resource XML file 半角文字で始まる値 NA 必須; resource XML file で定義される必要あり Text can also be included in layouts. To inlude text use the label tag, which supports the following attributes 属性 内容 値 初期値 補足 text 表示する文字列 NA An empty string font フォント Graphics font constant or the ID of a user-defined font Graphics.FONT_MEDIUM x 表示X位置 ピクセル値、もしくは center 0 y 表示X位置 ピクセル値、もしくは center 0 justifcation How the text should be justified in relation to the X Y location Graphics text justify constant Graphics.TEXT_JUSTIFY_LEFT color The color of the text Graphics color constant or a 24-bit integer of 0xRRGGBB 形式 The current draw context’s foreground color Drawables Drawable XML resources consist of a list of basic drawables bitmaps and shapes. To create an XML drawable, define a drawable-list in an XML resource file. Both bitmap and shape tags should be be placed as child nodes inside the drawable-list . An example drawable-list resources drawable-list id="Smiley" background="Gfx.COLOR_YELLOW" shape type="circle" x="10" y="10" radius="5" color="Gfx.COLOR_BLACK" / shape type="circle" x="30" y="10" radius="5" color="Gfx.COLOR_BLACK" / bitmap id="mouth" x="15" y="25" filename="../bitmaps/mouth.png" / /drawable-list /resources To use this drawable in code do the following function onUpdate( dc ) { var mySmiley = new Rez.Drawables.Smiley(); mySmiley.draw( dc ); } The drawable-list tag supports the following attributes Attribute Definition Valid Values Default Value Notes id The ID of the drawable Any string that starts with a character NA Required x The X coordinate of the top left corner in relation to the parent element pixel value or center 0 y The Y coordinate of the top left corner in relation to the parent element pixel value or center 0 width The width of the drawable list. pixel value or fill fill height The height of the drawable list. pixel value of fill fill foreground The color of elements (shapes and text) drawn in this layout Graphics color constant or a 24-bit integer of the form 0xRRGGBB The current draw context’s foreground color background The background color of this layout Graphics color constant or a 24-bit integer of the form 0xRRGGBB Gfx.COLOR_TRANSPARENT The shape tag supports the following attributes Attribute Definition Valid Values Default Value Notes type The type of the shape to be drawn rectangle, ellipse, circle, or polygon NA Required x The X coordinate of the top left corner in relation to the parent element pixel value or center 0 y The Y coordinate of the top left corner in relation to the parent element pixel value or center 0 points A list of points which defines the polygon x1, y1], [x2, y2], ... , [xN, yN NA Required for polygon; must have at least 3 points width The width of the shape to be drawn pixel value or fill fill Only valid for ellipse and rectangle height The height of the shape to be drawn pixel value or fill fill Only valid for ellipse and rectangle color The color of the shape to be drawn Graphics color constant or a 24-bit integer of the form 0xRRGGBB The current draw context’s foreground color corner_radius The radius of the rounded corners of the rectangle pixel value 0 Only valid for rectangle radius The radius of the circle pixel value 0 Required for circle border_width The width of the border around the shape pixel value 0 Only valid for rectangle, ellipse, and circle border_color The color of the border around the shape Graphics color constant or a 24-bit integer of the form 0xRRGGBB The current draw context’s foreground color Only valid for rectangle, ellipse, and circle The bitmap tag supports the following attributes Attribute Definition Valid Values Default Value Notes id The ID of the drawable Any string that starts with a character NA Required x The X coordinate of the top left corner in relation to the parent element pixel value or center 0 y The Y coordinate of the top left corner in relation to the parent element pixel value or center 0 filename The relative path to the image that should be shown A valid, relative path NA Required Input Handling As if input handling wasn’t already one of the most important and complicated pieces of a UI toolkit, Garmin devices take the complication up a level. Unlike those touchable glowing rectangles that are modern smart phones, Garmin devices come in lots of shapes and sizes. Touch screens are not always ideal for all watch products, so there is a mix of input styles and screen technologies. It’s the job of the UI toolkit to make this coherent to the developer. Input and App Types Not all app types have access to input. Watch faces and data fields cannot handle input, though widgets can receive input (may be limited on some devices) and watch-apps will have the most input capability. Input Delegates The Delegate object is an object that implements a certain interface specific to input handling. Monkey C provides a low level InputDelegate that allows handling of events at a basic level. This is good when the app needs to handle button presses or screen presses in a particular way. module WatchUi { // This class implements basic input handling. A developer needs to override // the events they want to handle. class InputDelegate { // Key event // @param evt KEY_XXX enum value // @return true if handled, false otherwise function onKey( evt ); // Click event // @param evt Event object with click information // @return true if handled, false otherwise function onTap( evt ); // Screen hold event. Sent if user is touching // the screen // @param evt Event object with hold information // @return true if handled, false otherwise function onHold( evt ); // Screen release. Sent after an onHold // @param evt Event object with hold information // @return true if handled, false otherwise function onRelease( evt ); // Screen swipe event // @param evt Event function onSwipe( evt ); } } Behaviors Garmin makes products with a purpose, and that purpose can alter the design of one product line over another. Deciding whether a product has a touch screen or has buttons can depend on the environment in which the user will take. For instance, if the product is intended to be used in water (swimming, canoeing, on a boat), it may not have a touch screen. These decisions make for superior products, but also add to developer frustration due to device fragmentation. Most products will support common behaviors (next page, back a page), but how they are executed by the user may differ based on the available input types. To help with this dilemma, Monkey C exposes events at a behavior level. Behaviors separate high-level intentions from the actual input type—next page versus screen press. The BehaviorDelegate is a super class of InputDelegate and maps its low level inputs to common operations across multiple products. Using the BehaviorDelegate can lead to much more portable code. class BehaviorDelegate extends InputDelegate { // When a next page behavior occurs, onNextPage() is called. // @return [Boolean] true if handled, false otherwise function onNextPage(); // When a previous page behavior occurs, onPreviousPage() is called. // @return [Boolean] true if handled, false otherwise function onPreviousPage(); // When a menu behavior occurs, onMenu() is called. // @return [Boolean] true if handled, false otherwise function onMenu(); // When a back behavior occurs, onBack() is called. // @return [Boolean] true if handled, false otherwise function onBack(); // When a next mode behavior occurs, onNextMode() is called. // @return [Boolean] true if handled, false otherwise function onNextMode(); // When a previous mode behavior occurs, onPreviousMode() is called. // @return [Boolean] true if handled, false otherwise function onPreviousMode(); } Built In Handlers In general, complicated input from users and feedback to users should not be done on a wearable device, but should instead be done via a phone app or web page. However, sometimes the device needs to get some form of user input or provide confirmation to the user. WatchUi provides three widgets to handle input menus, the generic picker, and the number picker (the number picker has been deprecated in favor of the generic picker). Two additional handlers provided by WatchUi can be used to give feedback to the user the confirmation dialog and progress dialog. Menu A menu is a list of options for the user. The options are displayed in a list that matches the device the app is running on. A menu can be defined in the resource XML file using the following format menu id="MainMenu" menu-item id="item_1" Item 1 /menu-item menu-item id="item_2" Item 2 /menu-item /menu The resource compiler will then take this XML and generate a Menu object in the Rez module. In order to use this menu, a developer simply needs to push the menu and a delegate for the menu using Ui.pushView() class MyClass extends Ui.View { function openTheMenu() { Ui.pushView( new Rez.Menus.MainMenu(), new MyMenuDelegate(), Ui.SLIDE_UP ); } } class MyMenuDelegate extends Ui.MenuInputDelegate { function onMenuItem(item) { if ( item == item_1 ) { // Do something here } else if ( item == item_2 ) { // Do something else here } } } Generic Picker The Picker class, along with the PickerDelegate and PickerFactory classes, provides applications with the ability to create onscreen lists of user-selectable objects. A picker consists of one or more choosable objects, a title, a next and previous arrow, and a confirm button. The next and previous arrows and the confirm button are device specific but can be overwritten if desired. Pickers are pushed using WatchUi.pushView(), providing a PickerDelegate for the input delegate. A PickerFactory is required to indicate what should be displayed for each pickable value. Sample picker implementations can be found in the Picker sample project, inside the samples/Picker directory. User Interface [Main components of a generic picker layout] The above image is a representation of the general structure of what a picker should look like on a square screen. Other screen formats should have the same layout with some size differences to account for the screen and button layout. The top red bar represents where the title of the picker is displayed. Up and down arrows to scroll through the available options are placed where the green boxes are. The leftmost blue box is where the last item you selected is shown if the picker has multiple selectable items. The center blue box is the item you are currently selecting. The white box will either be the next selectable item in the list or the button to confirm your selection. Development Interface class Picker extends Toybox.WatchUi.View { // Constructor // @param [Dictionary] options @see Picker#setOptions function initialize( options ); // Set the options for the Picker. // @param [Dictionary] options the options for the Picker // @option options [Drawable] title the title for the Picker. Required. // @option options [Array] pattern an Array of [Object] for the Picker to display. If the Array entry is a PickerFactory then it is presented to the user to make a choice. If it is a Drawable then it is display only. Required. // @option options [Array] defaults an Array of [Number] indicating the starting index for each entry in pattern. Optional. // @option options [Drawable] nextArrow a custom next icon for the Picker. Optional. // @option options [Drawable] previousArrow a custom previous icon for the Picker. Optional. // @option options [Drawable] confirm a custom confirm icon for the Picker. Optional. function setOptions( options ); } class PickerDelegate { // Handle a confirm event from a [Picker] // @param [Array] values The chosen values from the Picker. For [Drawable] entries, null will be returned for that value. function onAccept( values ); // Handle a cancel event from a [Picker] function onCancel(); } class PickerFactory { // Generate a Drawable instance for a given item // @param [Number] item Item index // @param [Boolean] isSelected true if the current item is the selected item, false otherwise // @return [Drawable] object to be rendered function getDrawable( item, isSelected ); // Return a representative value for this item // @param [Number] item Item index // @return [Object] Representative item for the given index function getValue( item ); // Get the number of items in the factory // @return [Number] number of items in the factory function getSize(); } Number Picker - DEPRECATED To allow the user to pick or adjust numerical data, the number picker widget is your best bet. The number picker widget allows for editing or adjusting of common numerical types. 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This is useful when presenting a simple selection. enum { CONFIRM_NO, CONFIRM_YES } class Confirmation { // Constructor // @param [String] message A textual confirmation message function initialize( message ); } class ConfirmationDelegate { // When a response is chosen, onResponse() is called, passing // the response of CONFIRM_NO or CONFIRM_YES // @param response The response of the confirmation of CONFIRM_NO or CONFIRM_YES function onResponse( response ); } Progress Bar The progress dialog gives a standard wait dialog. It has two modes—one that shows the completion of some process, and a second that acts a wait timer displaying an indeterminate amount of progress. The look and feel of the progress bar will be device-specific. class ProgressBar { // Constructor // @param [String] displayString The string to display on the progress bar view // @param [Float] startValue The initial value for the progress bar (0-100), null for "busy" function initialize( displayString, startValue ); // Use setProgress() to set the value of the progress bar. // @param [Float] progressValue The value for the progress bar (0-100), null for "busy" function setProgress( progressValue ); // Use setDisplayString() to set the string displayed on the progress bar view. // @param [String] displayString The string to display on the progress bar view function setDisplayString( displayString ); }
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